Powerful new Economist film examines how we’re working for ‘The End of Orphanages’ in Romania
Hope and Homes for Children’s work in Romania is central to a hard-hitting new film, released today by The Economist.
‘The End of Orphanages?’ focuses on the transformation taken place in Romania’s child protection system over recent decades.
Viewers are reminded of the horror of the Ceausescu-era orphanages that were discovered after the fall of the dictator in 1989, and goes on to explain how the majority of the country’s orphanages have now been closed by ensuring that children can grow up in family-based care instead.
Hope and Homes for Children has played a fundamental part in driving the process of child protection reform in Romania over the last 20 years. When we began work there in 1998, over 100,000 children were confined to institutions. Today that figure has fallen by more than 90% to less than 7,200.
The Economist film tells the story of Claudia, a woman in her late 30s who was born with one arm and abandoned to the orphanage system as a baby. She shares painful memories of the abuse and neglect she suffered as a child. She struggles to remain composed as she describes one incident where she was stripped and beaten with a rope as a punishment for playing in the wrong place. Her memories are of being treated like an animal.
Today Claudia works in the Ion Holban institution in Iasi County—one of the remaining orphanages that Hope and Homes for Children is working to close in Romania. The film shows some of the children who have already been supported to leave the institution and join families.
The Manole sisters spent five years in Ion Holban after their remaining parent died. Our team gave their extended family the extra support they needed to make it possible for all four girls to leave the orphanage and begin a new life together with their Aunt and Uncle.
Stefan Darabus, our Regional Director for Central and Southern Europe, contributes to the new film, explaining that any institution like Ion Holban should be closed because they do not offer what a child needs most: family love.
The film gives a balanced view of the process of deinstitutionalisation, pointing out the risks to children if the process is not properly supported but gives the last word on the future of the children in the Ion Holban to Claudia: that children need parental love in the bosom of a family, not the bosom of the State.